
Vintage Sleaze on Modern Art
Finally, the stark, empty frame of an anonymous artist not only informs the empty, shallow, vacant gaze of the decade, but predicts the minimal, mature modern art soon to puzzle museum-goers in droves.
Jim Linderman on Vintage Sleaze
Pinar Yolaçan and her Zentai thing
TIMES piece about Pinar Yolaçan in the Greater New York show at P.S.1
read about Zentai (insight via Constant Siege)















